120 pages book that references 296 techniques and theories, both audio and visual, enabling filmmakers, sound designers and spectators alike to use and understand the offscreen space of film as a legitimate narrative space. In return, enabling everyone to experience a more actively dynamic, imaginative and playful experience of film.

The classification offers a primary thematic arrangement, as well as a secondary and tertiary taxonomies, listing related inductor, induced, opposite and similar effects.

The rework of the classification is accessible on the following link >