Offscreen website

The rework of the ‘offscreen’ classification in a website form. Accessible on the link below, the resource lists out and references a lot of audio and visual techniques, but also useful cognitive, psychoacoustic, spectatorship or even perceptive theories. Practical techniques as well as notions outside the audiovisual production sphere was meant to enable the user to […]


Infographic video made for Iglyo with the aim to promote their Inclusive Education Index program.

Dot and the end

A little book originally conceptualised as a short fable. The story grew with the collaboration of Kevin Carr. After a few restructures and alterations, all became to be this little novella. The digital version of the book is freely accessible online from this website shop on the following link. A physical copy of the book […]

Music on prescription

Short animation video promoting Music On Prescription, a service providing emotional help to people suffering from depression via music listening.

Notable filmwork

XL Arts and Employability (Documentary, 32 minutes; 2015, Glasgow)Camera and Motion DesignThe Prince’s Trust / North Lanarkshire Council / Hayburn Studios XL Arts and Employability (Documentary, 20 minutes; 2014, Glasgow)Camera, Motion Design, and EditingThe Prince’s Trust / North Lanarkshire Council / Hayburn Studios Long Time no Speak (Fiction, 25 and 15 minutes versions; 2014, Glasgow)Direction, […]

7 roles of the music industry

Informative video made for Music Plus, Scottish Music Centre, and aimed to teach young students about the main professional roles within the music industry.

A&e and z

Short animation made by young people at the Royal Hospital for Sick Children, Glasgow.


120 pages book that references 296 techniques and theories, both audio and visual, enabling filmmakers, sound designers and spectators alike to use and understand the offscreen space of film as a legitimate narrative space. In return, enabling everyone to experience a more actively dynamic, imaginative and playful experience of film. The classification offers a primary […]


Semi-narrative, semi-experimental, compiled of beats-infused musical sequences and various audio excerpts, around themes important to me, this self-initiated album was finalised in July 2011. With a peculiar editing process, this project fused the glitchy/mashup style that feature in most of the personal musical pieces I put together since then.